Is the Rode K2 worth it?
Summary. The Rode K2 is a very nice multi-pattern tube microphone, with a warm, classic sound. Although there are cheaper mics coming in from various Far Eastern locations, it offers a very good balance of price and quality control.
Will phantom power damage a condenser mic?
It will not hurt anything to leave your phantom power on. Most dynamic or condenser microphones that don’t require phantom power will reject it. Ribbon mics are the exception in this situation. Sending phantom power to a ribbon microphone will probably have disastrous consequences.
Can phantom power damage my guitar?
It’s highly unlikely that subjecting your guitar to phantom power will cause any damage. Guitars are line-level devices that commonly use unbalanced, TS cables. Phantom power can only be sent through balanced cables – in most cases, 3-pin XLRs.
Can phantom power damage a guitar?
Is the Rode k2 a good mic?
As a vocal mic, the K2 sounds very classy indeed, and it has been deliberately engineered to be reminiscent of classic studio mics. It is, however, rather quieter than some of these tube classics, and probably a lot cheaper to service given that the tubes used in the Rode mics don’t belong to an endangered species.
Where are Rode k2’s made?
The K2 has a beautifully-crafted gold metal casing which is made right here in Australia. Just 250 kms north of Sydney is Rode’s metal work facility, equipped with the latest computerised machinery for producing their range. One outstanding piece of information about Rode is how they achieve the end result.
Does the Rode k2 have a cut switch?
No low-frequency cut switch. The Rode K2 is a very nice multi-pattern tube microphone, with a warm, classic sound. Although there are cheaper mics coming in from various Far Eastern locations, it offers a very good balance of price and quality control.
How does the Rode k2 compare to the Philips NTK?
If anything, the Rode K2 is a hint sweeter-sounding than the NTK, and it definitely does the ‘subtle flattery’ thing — which is, after all, why we tolerate tubes inside our microphones in the first place.